Stephen fry slugline5/6/2023 “I think zombies were there already and evolved from the Haitian Voodoo zombie to the Romero zombie that evolved further over the course of his film series so that the cause of zombification became different and rather than being bland slaves, they turned into full-blown predators, en masse. “A lot of us miss the old resuscitated corpse, the ugly vampire, the mindless one that can’t be reasoned with,” she says. The popularity of zombies comes from the fact that the vampire that we all loved got lost, says “The Age of Sorrow” (pg. That’s simultaneously very straightforward and very disturbing.” No eroticism, no animal violence, just a single, overwhelming appetite. With the zombie, what you get is us, pretty much as we are, maybe with a little damage, and we consume one another. the vampire’s connection to various kinds of (taboo) eroticism has been explored ad infinitum, while the werewolf’s link to animal violence has also been recognized. “I suspect that part of their effectiveness lies in the way they present us to ourselves, by which I mean, if you think about a monster like the vampire or the werewolf, you can see them as aspects of human behavior magnified and embodied i.e. “While you can trace aspects of their behavior to a host of monsters that have come before (like vampires, they rise from the dead like ghouls and werewolves, they eat our flesh like Frankenstein’s monster, they’re reanimated corpses like most monsters, they have a particular weakness that will kill them immediately), they boil all that down to the basics: they’re back from the dead, they want to eat us, they can be killed with a shot to the head,” he says. 469), says that zombies-the post-Romero zombie that has defined our current concept of the beast-have the virtue of simplicity. John Langan, author of “How the Day Runs Down” (pg.
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